What draws you to interactive, playful theatre? We feel there is a real need for us to play together, as a community and there are very few chances for us to do this in our everyday lives. 

The vibe in the audience and the sense of togetherness that is felt after one of our shows is a very palpable and joyous thing. 

We also hate interactive theatre (generally), because it so often makes a joke of the audience and puts them in positions where they feel they have to "be good." Our shows are designed to celebrate the audience and give them very clear instructions on how to interact with the performers (if you just want to watch, we really love that too - we want you to have the best possible time). 

Where did the inspiration come from? We wanted to create work that we didn't have to explain to people who didn't usually go to the theatre - work that we knew would be funny and entertaining - as well as play with bigger questions around life in a ridiculous way. 

What’s the risk in involving the audience so much? The risk is not knowing what will happen, but that's also what makes the shows so alive and unique. The performers always have to be on their toes, dancing in a very responsive way - which makes it very exciting and alive in the moment. 

How does comedy help you explore deeper themes? We use humour to explore the ridiculous aspects of life and to celebrate the chaos. In our everyday lives we are always trying to appear like we're doing well and completely well-adjusted human beings. But the reality is always way more ridiculous and much funnier. We use humour to expose and celebrate the chaotic and ridiculous beings we are. 

Your ensemble feels like one mind. How do you build that? Many of us have worked together for a long time now (10+ years) and we also practice listening and responsiveness as much as possible. The company laughs a lot together and that also is a major factor.  

Artist Director, Leo Gene Peters, A Slightly Isolated Dog